“It’s almost as if all the colourful cognoscenti of Berlin has been rounded up then deposited into the lobby of this old Telecom building”
As I leave the exceptionally elegant Hotel de Rome in Berlin– I have really just wound up speaking to a Very Important Celebrity– I overhear a hotel attendant remark that the climate condition outside is, “Just a friendly Berlin rain, to let you know you’re still in Germany.”
Indeed, the sky is a specifically brooding shade of grey as I take a trip a rather soaked 2 blocks to the MarcCain expose at Berlin FashionWeek Arriving within, nonetheless, is substantial departure from the bleak climate condition. It’s virtually as if all the dynamic cognoscenti of Berlin has really been put together then moved into the lobby of this old Telecom structure: a male in zebra print pants interacts socially amongst girls worn floaty dress, pinstripe fits brush up versus leopard print and there’s an abundance of camel coats. The controling atmosphere is extremely varied.
The design of the program is “Meet Me at the Train Station” and the set has really been dressed up properly. Cardboard cutouts of lampposts and a life-size variation of a train dots the area. Adorably, the program’s volunteers are worn black sports coats combined with conductor’s caps.
As the lights dim, the opening style trots out in an impressive swinging camel coats combined with a chartreuse turtleneck and vinyl snake print pants. (Now I comprehend where all the camel coats in the crowd have really stemmed from.) What follows is a vibrant, high energy collection that incorporated eccentric statement pieces like holographic black vinyl pants and magenta artificial fur without ever feeling outrageous. It was high fashion at its most democratic– even the loopier items still felt patently wearable. The biggest surprise was perhaps using kelly green, a colour which has really felt strangely missing out on from the runway over the previous years.
The collection was Marc Cain’s really initially under the new design guidelines of Katja Konradi, the newly-appointed Managing Director of Design & & & Brand after the retirement of very long time creative director, Karin Veit.
“I would like to bring to the brand a little more modernity,” states Konradi in a post-show interview. “For me fashion needs to be a bit more ageless; it’s more about an attitude at the end of the day, and the values a woman really has.”
MarcCain designs for clothes for every single single event, whether you’re a businesswoman on her technique to work or a new mom on her technique to a play date, Konradi continues. She wanted to establish her really first collection within the context of a location where all different kind of girls who utilize Marc Cain would please. “The train station came to my mind because you can go by train to your gym, meet up with friends or go on a holiday trip,” she specifies.
Konradi’s dynamic worths have really saturated Marc Cain’s most recent collection with a lightness and joy. These are incomparably charming pieces that no doubt girls will want to utilize– to the train station and beyond.